July 11, 2012
Janis Joplin biopic surges boozily back to life
There have been Janis Joplin biopics in development for the last 12 or 20 years, with all kinds of problems related to rights to songs and biographies preventing such a movie from actually getting made. There's also been the problem of finding an actress to play Janis. If you're going to create a credible movie version of Janis Joplin, you've got to find someone who can sing, has magnetic charisma and bold sexual swagger, combined with agonizing vulnerability and self-doubt. (See the great Vanity Fair feature on Janis and the early San Francisco hippie scene.)
And, most of all, she can't be pretty in a conventional Hollywood kind of way. Clearly, this last point has been the toughest, stickiest point for producers. This isn't the 70's, when Sissy Spacek could pull off Coal Miner's Daughter, win an Oscar, and bring in loads of money at the box office. Now if you need an actress to play a real-life person who wasn't beautiful, you cast Charlize Theron or Nicole Kidman, and if you need someone to play the dorky, not-pretty girl on TV, you choose Lea Michele or Zooey Deschanel.
Deschanel was one of the many actresses briefly attached to a Janis Joplin movie over the years. Here are some others:
The wrongest candidate to date: Amy Adams.
And maybe the best candidate to date: Pink. Pink had the flamboyant grit, gutsy voice, and appropriate unattractiveness to be a compelling Janis, but dropped out in 2006 when the project floundered. Clearly, casting for this movie has always been more about popularity than getting the right person for the role. Pink said at the time, "They're trying to turn it into some circus pop contest - who's the 'it' girl who wants to play Janis."
Today's it girl is apparently Nina Arianda (above), who in yet another iteration of this tired old story, got cast in a movie called Joplin. BUT: this one sounds good. It has a producer, a budget, and even a director--Sean Durkin, who did last year's Martha Marcy May Marlene--and might actually get made.
Arianda has only done a few movies (a small role in Midnight in Paris as Michael Sheen's wife, and a better role in Higher Ground as Vera Farmiga's drug dealing sister) but her real claim to fame is her freaking super-humanly amazingly sexy and incredible performance in Venus in Fur, which was on Broadway until last month. In this play, she goes from desperate to absurd to funny to seductive to ferociously powerful to actual human embodiment of a Greek god in 90 minutes.
She's really unlike any actor I've ever seen on stage, and she is gonna play the shit out of Janis Joplin. But can she sing? Of course she can! She can do anything! The New Yorker says she grew up singing both the male and female arias in Rigoletto, and it's just a tiny baby step from opera to ballsy Texan Southern Comfort-soaked blues, so, there you go.
Just one thing: couldn't we get a better title than Joplin for this movie? Something like, say, "Sing Them Blues, White Girl: The Jackie Jormp-Jomp Story"?
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